Adam Sandler Versus Robert Smith
If you’ve ever seen The Wedding Singer, you know that Adam Sandler’s character’s passive-aggressive ode to his ex-fiancée, “Somebody Kill Me Please,” was largely influenced by The Cure. Just to refresh your memory, he warned Drew Barrymore’s character (by the way, aren’t they awesome together?) that “I was listening to The Cure a lot” before launching into… “I can’t believe I found a love that’s so pure and true… But it all was bullsh**, it was a god**** joke, and when I think of you, Linda, I hope you f****** choke!”
Nicely done, Wedding Singer! I’ll be sure to hire you if I renew my vows.
So who would win in a crooning contest, or a fist fight, between Robert Smith and Adam Sandler? Let’s see what the two have going for them:
Smith’s Pros: Obviously an emo to the core, Robert Smith looks and acts like he’s felt pain at a depth that Sandler could only dream of experiencing (or perhaps the pain induced upon unfortunate viewers of his film, Bedtime Story). His voice is completely better than Sandler’s, though his subject material runs in a narrow melancholy pool (of course, this is compared with a spectrum that goes from Thanksgiving turkey in big, brown shoes to the lovely lyrics above). He also simply has the career of a singer, which Sandler has yet to have himself—though his films have made it apparent that he may have the desire, at least.
Smith’s Cons: Being emo doesn’t equal tough, and Sandler can turn you into a pretzel—or, at least, The Zohan can. No matter the heartache conveyed in Smith’s songs, they also don’t equal the wild, idiotic rage Sandler portrays in films such as Billy Madison and Big Daddy.
Sandler’s Pros: Aside from possibly being more violent, Sandler seems like he might be willing to take a few cheap shots—especially if it will result in frat boys laughing. Rather than sing about how depressed you’re making him, I think Sandler would be more likely to punch you in the face and then make a joke about the blood in a goofy voice.
Sandler’s Cons: Then again, Sandler may simply not feel like carrying a fight on after the first punch. And he’s obviously not got the vocals Smith has; there’s no way an Adam Sandler song is going to make me want to sit in the dark and cry, eat a box of Ho-Hos, or contemplate how much being in love makes me feel like dying.
The Verdict: I think Sandler would mildly kick Smith’s ass, but he definitely couldn’t beat him in a talent contest. (Now, he would probably win against him on American Idol, but we all know that’s an entirely different story, don’t we?)




Comments
Oooh I don't think anyone
Oooh I don't think anyone should get on Sandler's bad side, especially after we see the way he exacts revenge. o_O
Having said that, what did you think of him in Spanglish? That was a surprise since I normally associated him with goofy movies. Of course the man still can't sing to save his life .... :)
You know, I need to see
You know, I need to see Spanglish again. I rented it through Netflix when it first came out and it kept freezing on our DVD player; I just got fed up with it and returned it! I got to see a few parts--enough to notice that Tea Leoni was a psycho in the movie or something--but missed out on most of the movie. Have you seen Reign Over Me or Punch Drunk Love?
Spanglish was cute. That is,
Spanglish was cute. That is, Paz Vega's role in that movie was pretty cool. And yea, Tea Leoni was a pretty scary woman in that, so those first few mins you saw serves as a nice warning of what's to come. :)
I have not seen either of the two you mentioned. Are they along the lines of Wedding Singer (as in cute romances)? If so, I am interested in looking around for them.
No, they're very
No, they're very different--Punch Drunk Love is another genre all on its own--sort of experimental and odd. It is funny in a dark sort of way, and I really liked it, though my husband found it too trippy for his tastes.
Reign Over Me could have been brilliant, but it just didn't quite hit the nail on the head; it's a drama about a man (Sandler) whose family was killed on 9/11 and his struggle to survive afterwards. His old college roommate (Don Cheadle) runs into him and tries to help him get back on his feet because his life is literally a mess. It's very touching in many ways, but some parts of the film are just forced, and the few comedic efforts (by other characters; Sandler was mostly depressed in the film) feel really empty. Still, I liked it okay.